Explore the Batches
/ THE NINETY-SIX HOURS

Ninety-Six Hours of Fire

Deep within our Gloucestershire workshop, the stone-walled anagama kiln burns continuously. For ninety-six hours, we feed the fire local pine, letting the temperature climb to an elemental peak where earth and ash fuse.

Extreme close-up of a wood-fired ceramic vessel, showing cracked wood-ash glaze, iron-speckled raw clay texture, and deep charcoal kiln scars, low-key chiaroscuro lighting, dark background.
Extreme close-up of a wood-fired ceramic vessel, showing cracked wood-ash glaze, iron-speckled raw clay texture, and deep charcoal kiln scars, low-key chiaroscuro lighting, dark background.
ELEMENTAL GLAZES

Formed by Wood Ash

We use no commercial glazes or synthetic colorants. Every surface texture, from glassy celadon pooling to rough, iron-speckled crusts, is the direct result of flying pine ash melting onto the raw clay.

THE ANAGAMA KILN

The Kiln Scar

As the fire storms through the chamber, fly-ash settles onto the shoulders of each vessel. Where the flame licks the clay directly, it leaves a permanent, unrepeatable kiln scar that documents the heat.

View Fired Batches
THE CURRENT BATCH

Vessels of the Fire

Each hand-thrown vessel is documented with its precise chamber placement, firing duration, and geological provenance. Explore the latest wood-fired archive before the kiln is sealed for the next season.